Today, I have been weaving a web of dreams since 2016. I have eight scenes in Alladin. Running fearlessly in the eternal effort to become a professional from amateur. This path was not easy. Now it is not easy. This journey of staging, with its various ups and downs, can easily be called a thrilling and varied journey of excitement, fear, anxiety, enthusiasm, love, affection and various celebrations while reading the graphical structure of a play. Surviving for 9 years without slipping through various humiliations, temptations, disappointments, mockery and severe crises. Yes, this survival is the big thing. I have never taken these in a negative way, I have done it in a positive way. Because I think at the end of the day, these are the keys to staging. These gifts increase the desire for good work. One production after another is produced with a burning desire to live a theatrical life. Dramatic becomes through the Jharer Pakhi, Cellphones, Siddhidata, Uromegh and the wolf. Just as drama is transformed from a play with various characters, similarly, the members of various characters have made Drishyayan a successful theater organization. The playwrights of Sreeniyaan provide confidence to create new and good productions. So, the brain is busy with the calculations, once the numbers of the correct equation are matched, a new play is created and maintaining the quality of that play is a big challenge.

Drishyayan is moving towards 10 years at a very fast pace. The age of a theater group is not everything. The main thing is the work of the team. Whether a theater group is fulfilling the purpose for which it was created is the main goal of Drishyayan. We have to keep up the hunger for good drama production. Of course, the main criterion for good or bad is how much the drama has touched the hearts of our direct audience. And it is true that the staging knows how to accept these things. That is why even the darkest shadow cannot cover the scene again and again. The scene is still flowing after overcoming all the adversities. Even if the stage is thorny at times, the stage has not left the stage and it will not leave, this is my firm belief. After all, we are all passengers on a boat, the playwrights of the staging have to sail, the pal is raised and the hand to hold the rudder is strong. Even if the path of this boat is against the current, the speed of this boat will not slow down.